“It’s hard and painful for you to talk about these things … and then people just look at you strangely. They haven’t understood what you’ve said at all, or why you almost cried while you were saying it. That’s the worst, I think. When the secret stays locked within not for want of a teller but for want of an understanding ear.”
Today I’m looking back to the 1980s again, a decade that was very good for commercial horror. From his excellent collection Different Seasons, The Body is probably my favorite King story. He’s incredibly prolific and has written lots of great stories and novels, but I find the realism of this one very gripping. It’s not a horror tale, exactly, but more a story of friendship and growing up.
By now almost everyone knows this story about four twelve-year-olds in Castle Rock, and their quest to see a dead body. These children all come from difficult circumstances, but form an unbreakable bond in this story, and King makes it all seem so real that we can easily relate to them. The main character, Gordie, is a storyteller, a stand in for King, I guess, since he also graduates from the University of Maine and becomes a successful writer.
I know many of King’s fans enjoy the vampires, monsters, and supernatural horror of his stories, and I like them as well and have read many of them. But to me, King is at his best when he tells a more restrained, realistic tale like this one. He’s a master of horror, I know, but I think what has given him such popularity and staying power are his observations on working class and poor lives lived in everyday kinds of places. It makes his characters quite sympathetic.
The other stories in this book are quite good, as well. Apt Pupil, Rita Hayworth and the Shawshank Redemption, and the Breathing Method are all great novellas. Three of them, of course, were made into very successful Hollywood films. Most writers would be thrilled to have even one story as successful as any of these, but King has always been in a league of his own.








